All Entries in the "Cast" Category
Delightful NY Times Interview With Stockard Channing
I hope you enjoy reading this interview as much as I did. It shows a softer, more personal side to Stockard.
Bewitched, Bothered and Back
By ERIK PIEPENBURG
Published: December 3, 2008
Ms. Channing in her dressing room at Roundabout’s Studio 54
“It’s interesting to be known as an errant teenager or the first lady of the United States, depending who you’re talking to,” Ms. Channing said.
Click here to open audio slideshow in a new window - Clothes Make A Woman
The title of Vera’s big number, “Bewitched, Bothered and Bewildered,” is an apt description of the backstage dramatics that unfolded shortly after previews started. Christian Hoff, 40, who was to play Joey Evans, withdrew from the show after a foot injury and was replaced permanently by his understudy, Matthew Risch, 27. The show’s opening was pushed back a week, to Dec. 18.
Before a recent preview performance Erik Piepenburg sat down with Ms. Channing to discuss the challenges of a sudden cast change, her light-bulb moment with Brecht and Weill, and letting go of “Grease.” Excerpts from the interview follow.
Losing a Co-Star
It’s been hard on the company, any time you lose a member of the company so suddenly who’s been such an organic part of the creative process. … You can see how demanding the show is physically. I obviously wasn’t present for these conversations, but everybody had to make a quick decision. I think from his part, to bow out — he could injure himself permanently if he came back too soon. The temptation in any kind of athletic situation, I think, is “I don’t want to let the team down,” which is very much Christian’s way. … It was terribly dramatic because we had to cancel the Saturday matinee. …We’re blessed, and we also have a great loss at the same time, which is really stressful. I’m sure it was a very painful decision for him to make.
Old Joey, New Joey
I think we’re telling a slightly different story. There’s a much larger gap in age, which concerns me sometimes, that Vera Simpson is not going to be arrested for robbing the cradle. On the other hand there’s a great tradition that goes back to Colette, of an older woman and a younger man. It’s been going on for a long time.
Riedel’s NY Post Article Open For Discussion
Michael Riedel (on right), NY Post columnist and Broadway gadabout, serves up some ‘Pal Joey’ intrigue. (B. Glikas)
Here is the article, in it’s entirety, followed by comments that appear on the NY Post website
——————————————————————-
GREAT ‘BOY’ BUT NO ‘PAL’
HURT FOOT LETS HOFF WALK OUT ON ROLE
By Michael Riedel
Broadway Matinee
CHRISTIAN Hoff was a terrific supporting player in “Jersey Boys” - so good, in fact, that he won a Tony for his performance as the thuggish Tommy De Vito.
But as leading-man material, Hoff didn’t cut it. At least in “Pal Joey.”
The actor withdrew two weeks ago from the revival of Richard Rodgers and Lorenz Hart’s 1940 musical, now in previews at the Roundabout’s Studio 54 theater.
Officially, Hoff injured his foot - which is true.
But there’s more to the story than the press release.
Hoff’s injury was minor, and he wanted to return to the show. But several people involved in the production didn’t want him back.
The actor, sources say, wasn’t up to all the demands of the role, especially the dancing.
“Even when he wasn’t injured, he danced like he was,” a source (a bitchy one) says.
During rehearsals and previews, representatives from the Rodgers and Hammerstein Organization, which controls all of Richard Rodgers’ musicals, became increasingly concerned about Hoff’s lackluster performance.
“It’s a very difficult part - you’ve got to sing and dance and be charming and a jerk, all at the same time,” says a production source. “Those elements were not coming together.”
A “Pal Joey” with an inadequate Joey would be disastrous. So Hoff’s injured foot was “good cover” to get rid of him, a source says.
He’s been replaced by his understudy, Matthew Risch, a chorus kid who’s appeared in “Legally Blonde” and “Chicago.”
But he’s got one thing Hoff never had: the approval of Mary Rodgers, the composer’s daughter.
She saw a performance the other day and gave the kid her blessing, sources say.
Hoff’s agents, meanwhile, are demanding that the Roundabout pay out his full contract.
In fact, the theater’s obligated to give him only three weeks’ severance. But a source says: “He will be compensated way beyond that.”
Click “read entire post” to view comments from the NY Post website.
Matthew Risch, The Luckiest Ex-Understudy In New York City
Max Abelson of The New York Observer visited with Matthew Risch in his new dressing room at Roundabout Theatre’s Studio 54. The first sentence of his subsequent article, which appeared on December 2, began like this..”Never having a real speaking role before…” Wow! Talk about pressure! Risch admits that he almost threw up when he heard that he would be taking over permanently for Chrisitan Hoff, who had injured his foot two days prior. But apparently not from nerves or joy, but because “I felt so completely horrible for him, because he had been nothing but the most generous person I’ve ever had the chance to work with…”
Risch has been receiving much appreciated support from his co-stars Stockard Channing and Martha Plimpton. “They’re like….We’re here for you. Whatever you need, just let us know.” And some welcome advice on playing Joey from legendary actress Elaine Stritch (who was in the 1952 revival). She told him “He’s (Joey) just spewing out all this vomit of charm…Vomiting up charm left and right to everybody, it’s nothing to him. That’s all he knows how to do.”
The full article covers many subjects, from what Risch keeps in his dressing room, to his childhood and through his career to present day - going from hoping to go on at least once as Hoff’s understudy, to becoming leading man in a Broadway musical. A dream come true for a man who had “never had a speaking role before”.
Click here to open the Observer site and read the complete article.
Q&A With “Pal Joey” Pals
Conversation: The Pals of ‘Pal Joey’
By Jesse Oxfeld, Published Nov 30, 2008, nymag.com
The emphasis is on the female leads in this revival of the Rodgers and Hart classic. Never mind that neither has sung onstage in 25 years.
In the past few seasons, Martha Plimpton has played a female pope, a Shakespearean princess, and some Russian revolutionaries; Stockard Channing played First Lady Abbey Bartlet on The West Wing and, oddly, narrates Meerkat Manor. Now they’re both belting Rodgers and Hart classics like “Bewitched, Bothered, and Bewildered” in the Roundabout revival of Pal Joey, which, with a new book by Richard Greenberg, makes its debut on December 18. (Opening night has been delayed a week, after the planned Joey, onetime Jersey Boy Christian Hoff, hurt his foot and left the production.) The two women spoke to Jesse Oxfeld.
This production is so much darker than the classic Frank Sinatra–Rita Hayworth–Kim Novak movie, which has a happy ending.
Channing: The movie was very sanitized. The play, the original play, was funky. The play was about, you know, a married woman and a young guy. In the movie, Rita Hayworth was a widow. And, a little bit conveniently, an ex-stripper.
Plimpton: So she could do [the striptease song] “Zip.”
Which Martha’s character, Gladys—who’s barely a presence in the movie—now sings. Had you read the original John O’Hara stories the play is based on?
Channing: I’d read other stuff by John O’Hara, so I knew the tone. And then Joe Mantello, our director, gave me a copy of the original play, and it’s very close in tone to this—but it’s very choppy in the second act.
So Greenberg’s work was fixing the story.
Channing: Yes. But the language is very fair—the rhythms and the bleakness of it are very, very close to the original O’Hara. Neither of you is known as a musical star …
Plimpton: It’s my first singing role as an adult. When I was a child, I did downtown musicals with the Public, and then I didn’t do another musical for 25 years, until now. This is my first [Puts on affected British accent] big Broadway show!
Channing: [To Plimpton] You told me you were doing a cabaret thing.
Plimpton: I don’t call it cabaret.
Channing: I’m outing her act!
Plimpton: I have done, you know, evenings of song. I have some friends…I did a show with Lucy Wainwright Roche and Dan Lipton at the Zipper in August. But I haven’t ever done it, you know, for money.
Stockard Channing Billed A “Comeback Queen” in Daily News
This Daily News article caught my eye, and not only for the obvious reason that it’s about Stockard Channing. Tina Turner, Liza Minelli and Stockard Channing are, you have to admit, pretty amazing (over-60) women who aren’t intimidated by a show biz world full of young hotties. They just keep on doing their thing, and doing it as well as ever. I do, however, have a problem seeing them labeled as “comeback” queens, as that implies they were once “gone”.
Here is an excerpt from the Daily News article titled:
Comeback queens Tina Turner, Liza Minelli and Stockard Channing to play NYC shows
BY Patrick Huguenin
DAILY NEWS Staff Writer
Tina Turner, Stockard Channing and Liza Minnelli - each in her 60s - will play concerts in New York City this holiday season.
…On Broadway, Channing gets in cougar character for “Pal Joey,” a revival of the Rodgers and Hart musical, now in previews, that opens Dec. 11. She plays money honey Vera Simpson, a rich older woman courted by the title character (Matthew Risch) with the hope that she’ll finance his nightclub.
The actress famous for belting as Rizzo in the movie version of “Grease” hasn’t tuned her pipes on Broadway since 1984, when she took over for Minnelli in “The Rink.” But, she says, the sexy role caught her eye.
“She’s a complicated woman,” she’s said of Vera, “probably a little ahead of her time. Very composed on one level, but clearly deeply passionate on another. And that passion is awakened by Joey.”
To read the entire article, click here.
Jenny Fellner On Playbill Radio
From Playbill.com, Nov 27
In addition to round-the-clock show tunes and Broadway news at the top of each hour, Playbill Radio offers the following special programming. The schedule for the week of Dec. 2-9 follows:
Center Stage
Dec. 2: Special guest is Jenny Fellner, a real-life native of Deadwood, SD, who is playing her first Broadway lead in the new revival of Pal Joey alongside some high-power lady stars, including Stockard Channing and Martha Plimpton. She tells how she’s holding her own — and fulfilling her grandfather’s prophecy — in the Rodgers and Hart classic.
Christian Hoff bows out of ‘Pal Joey’ with injury: STAGE WHISPERS
by Lisa Ann Williamson/ Staten Island AWE
Tuesday November 25, 2008, 3:20 PM
Sometimes the show just can’t go on.
Case in point, the Saturday matinee of “Pal Joey” when one Dongan Hills family loaded up the car and hightailed it into Manhattan to see the Roundabout Theatre’s revival of “Pal Joey” during it’s preview run.
Christian Hoff had to withdraw from his role as Joey Evans in Roundabout Theatre Company’s revival of ‘Pal Joey’ after a foot injury.
While having soup at a deli near the theater, they overhear on a cell phone conversation that the matinee performance at Studio 54 is cancelled.
Matthew Risch steps into the title role of ‘Pal Joey’ in Roundabout Theatre’s revival opening Dec. 18.
Yes, cancelled. No lights. Nothing bewitching.
According to first rumors, Christian Hoff, playing the title role, was injured. Those reports proved to be true as he was sidelined by a foot injury. Broadway.com’s story Monday reported that the understudy, Matthew Risch (most recently seen in the ensemble of “Legally Blonde”) went on Saturday night and the Sunday matinee and will now step permanently into the role as Hoff officially withdrew. The heavily hoofy role requires healthy limbs.
Now to prepare Risch for his new responsibility, producers are delaying the official open one week to Dec. 18 rather than the previously announced Dec. 11.
Stockard Channing heads the cast of the Lorenz Hart and Richard Rodgers musical as socialite Vera Simpson who is smitten by Joey Evans, a dancer and emcee who has his sights set on opening a club of his own. He must now get someone to front the money and that will be Vera, who also knows Joey is a heel.
“Pal Joey” preview buzz had Hoff solidly in Tony contention for this role.
We wish him a speedy recovery and look ahead to Risch’s interpretation of Joey Evans.
Injury Forces Christian Hoff To Step Down As Joey
Christian Hoff has left Pal Joey because of a foot injury he sustained during last Friday night’s performance. Understudy Matthew Risch covered for Christian Saturday night and Sunday matinee (Saturday matinee was cancelled) while he recovered. But the production announced today that Christian had left the show permanently and that Matthew was his replacement.
This is a terrible blow to Christian’s legions of fans who will miss his stellar performance as Joey Evans.
The Pal Joey Blog wishes Matthew all the best.
Hoff Advised To Rest Foot Through Weekend
Christian Hoff apparently sustained a minor foot injury during Friday night’s show, and has been advised by his doctor to rest through the weekend. The Saturday matinee was cancelled, and according to Playbill.com, understudy Matthew Risch was prepped to go on Saturday night and Sunday. I’m sure that Christian, being the true professional that he is, will follow doctors orders and hopefully return on Tuesday.
Here’s wishing Christian a speedy recovery!
The NY Times Shows Christian Some Love!
The Tony winner Christian Hoff in front of Studio 54, where he plays the title character in the Roundabout revival of “Pal Joey.”
The following article appeared in the NY Times, and is just too good to summarize. I’d hate to leave anything out!
A Jersey Boy’s Moment as Broadway’s New Pal
By PATRICK HEALY
Published: November 20, 2008
It’s not every day that an actor is tapped to play a role immortalized by Gene Kelly onstage and Frank Sinatra on screen. It is not every day, either, that producers choose to revisit that role, Joey Evans in “Pal Joey,” given that it has a title character who uses and exploits women and has a legendarily uneven book that goes with the famous Rodgers and Hart score.
Christian Hoff on Broadway: with Lisa Gajda
So the weight of history and high expectations now sits on the shoulders of one Christian Hoff. He is not a household name; he is not a bankable star. What he is — besides the lead in Roundabout Theater Company’s revival of “Pal Joey,” now in previews at Studio 54 — is a Broadway classic himself: a determined, confident actor who found midcareer fame (and a featured-performance Tony) as Tommy DeVito in “Jersey Boys” and has his first shot at a major leading role.
For Mr. Hoff the role is one he said he was born to play after years as guys “you would not want your daughter to date.”
Share Your Pal Joey Experience
One of our blog readers made a second visit to see Pal Joey, and here are her observations:
** The choreography may have been tweeked a bit…although I cannot say all the dancing was spectacular, it was quite enjoyable - especially dancing on the stairs. (Although I feel Christian Hoff was better on the stairs!)
** Costume glitches were all taken care of.
** The major improvement I was keenly seeking was the chemistry between ‘Vera’ and ‘Joey’…I felt that Stockard Channing did not feel comfortable with Christian…if Vera is supposed to be infatuated with this young song and dance man, I want to see that exhibited throughout the show…now seeing Matthew Risch & Stockard was a completely different FEEL..Stockard seemed to sincerely enjoy touching, embracing and kissing ‘Joey’…my personal thought was that Stockard feels much more in control with a very young protege, sort of a boy-toy!
** Matt’s dancing in the beginning was right on, but he does sweat profusely. The singing was much the same for ‘Vera’ and ‘Joey’.
** Martha Plimpton’s performance throughout the show is still very enticing…and Jenny Fellner still mezmerizing. They are both key characters to the success of this run of Pal Joey.
** Daniel Marcus’s (Ludlow) solo in the second act was a shining star.
** Matthew has clearly captured the “JERK” attitude that ‘Joey” is supposed to exhibit.
** I must say that the whole cast was more than gracious to pose for photos and sign autographs after the show.
The Pal Joey Blog invites you to share your Pal Joey experience! Leave a comment and let us know how you enjoyed the show. If you have pictures you want to share, send them to admin at paljoeyblog.com, and include captions if you like.
A big thank you to Charly O’Clarit. She combined her pictures with those of Lucy Rochetti and Lori Leone to create this great slide show. Thank you, ladies!
**************************************************************************
Fan Shawna Blake with Stockard Channing
Shawna, a self-proclaimed Stockard enthusiast, shared this photo from her fabulous evening at Pal Joey. See comments below to read about Shawna’s experience.
First Impressions of “Pal Joey”, November 14, 2008 Preview
Pal Joey at Studio 54
The Production
This production of Pal Joey, featuring a new book by Richard Greenberg, musical direction by Paul Gemignani, choreography by Graciela Daniele, and direction by Joe Mantello, brought to light new undertones not seen in the original productions, which certainly enhanced this show.
The plot focuses upon depression-era nightclub emcee Joey Evans (Christian Hoff) being torn between his innocent, naive girlfriend Linda English (Jenny Fellner) and wealthy but married socialite Vera Simpson (Stockard Channing). Joey romances Vera, who sets him up in his own club, Chez Joey. Along the way, Joey runs into an old acquaintance, Gladys Bumps (Martha Plimpton), with whom he has a very unpleasant history.
While there is a similarity to the Frank Sinatra movie in Joey’s and Vera’s characters, Jenny Fellner’s Linda English (a haberdashery clerk) is less worldly than the curvy and sensual Kim Novak (who was a showgirl type), and the Gladys Bumps character adds some new intrigue to the entire plot. Gladys and Joey’s history comes to light in the first act, and as Joey tries to show his power in the second act, we see that Gladys isn’t one to roll over and play dead. The ending was not the “and then they lived happily-ever-after” typical Broadway/Hollywood one, and that was a refreshing change.
Pal Joey Blog’s Exclusive Interview With Christian Hoff
These last few days before previews begin, the cast of Pal Joey is working long hard hours to prepare for the 14th (just two days away!!!). Even so, Christian Hoff was gracious enough to take a few minutes to chat about the show:
PJblog: How has the transition been from Jersey Boys to Pal Joey? Has your experience portraying Tommy DeVito been helpful in making that transition?
CH: The transition has been seamless. My overlapping of these two productions has allowed me to transfer my artistic adrenaline into another character. Yes, my portrayal of a real life “bad boy” has helped me with a more human perspective with regard to the bad boy icon Joey Evans.
PJblog: You worked closely with three men in Jersey Boys, and now your character is involved with three women. Are you the luckiest guy alive, or ????
CH: Let’s just say that it’s a bit more complicated juggling three love interests versus brothers.
PJblog: And what a wonderful cast in Pal Joey. Can you tell us a little bit about the people you’re working with?
CH: Stockard Channing is both a seasoned veteran of film and stage and a humble working actor who embraces the process. Martha Plimpton has brought a real sense of fun and professionalism. She has raised the stakes for me as both an actor and my character. Jenny Fellner has brought a great combination of innocence and strength to Linda and has given me a whole different emotional palette to work from.
PJblog: So many of the people who are familiar with Pal Joey have the movie in mind, and some even compare you to Frank Sinatra. But the original Broadway show was much different. Can you share any details about what we might expect from this revival? Does it basically stay true to the original show?
Keith Carradine - Martha’s Proud Papa
Keith Carradine returns to Broadway in the New York premiere of Anthony Horowitz’s Mindgame at the SoHo Playhouse, beginning October 28, with an opening date set for November 9. Carradine received a Tony Award nomination for The Will Rogers Follies. His additional Broadway credits include Hair, Foxfire and Dirty Rotten Scoundrels. He won an Academy Award for his song “I’m Easy” from the film Nashville, in which he also performed.
In case you didn’t know, Carradine is the father of Pal Joey star Martha Plimpton, one of New York’s most exciting young actresses.
